AP Spanish Literature Figuras Retóricas Essays

AP Spanish Literature Figuras Retà ³ricas Essays AP Spanish Literature Figuras Retà ³ricas Paper AP Spanish Literature Figuras Retà ³ricas Paper Essay Topic: Literature aliteracià ³n Alliteration is a stylistic literary device identified by the repeated sound of the first consonant in a series of multiple words. Allen ate apples awkwardly. hipà ©rbole A hyperbole is an extreme exaggeration used to make a point. I literally died. metfora A metaphor is a figure of speech that identifies something as being the same as some unrelated thing for rhetorical effect, thus highlighting the similarities between the two. Freddie is a pig when he eats. onomatopeya the use of imitative and naturally suggestive words for rhetorical, dramatic, or poetic effect. Boo! personificacià ³n Personification is a figure of speech where human qualities are given to animals, objects or ideas. It is the opposite of a metaphor but is very similar. In the arts, personification means representing a non-human thing as if it were human. The fire ran wild. sà ­mil a figure of speech involving the comparison of one thing with another thing of a different kind, used to make a description more emphatic or vivid Im as brave as a lion anfora Anaphora is the repetition of a certain word or phrase at the beginning of successive lines of writing or speech. I have a dream that I have a dream that antà ­tesis Antithesis is used in writing or speech either as a proposition that contrasts with or reverses some previously mentioned proposition, or when two opposites are introduced together for contrasting effect. Thats one small step for man, one giant leap for mankind apà ³strofe an exclamatory passage in a speech or poem addressed to a person that is not present. Twinkle twinkle little star, how I wonder what you are, up above the world so high, like a diamond in the sky. circunlocucià ³n o perà ­frasis Circumlocution is a long, complicated word which means a long, complicated way of expressing something. To cut to the chase, circumlocution means to beat around the bush. The edge of a colossal jungle, so dark green as to be almost black, fringed with white surf, ran straight, like a ruled line, far, far away along a blue sea whose glitter was blurred by a creeping mist. The sun was fierce, the land seemed to glisten and drip with steam. elipsis enumeracià ³n An enumeration is a complete, ordered listing of all the items in a collection. Get eggs, rice, cheese, butter and milk please. eufemismo a mild or indirect word or expression substituted for one considered to be too harsh or blunt when referring to something unpleasant or embarrassing. Passed away in place of died gradacià ³n scale first ____ then ____ hipà ©rbaton an inversion of the normal order of words, especially for the sake of emphasis, as in the sentence. This I must see asà ­ndeton the omission or absence of a conjunction between parts of a sentence. I came, I saw, I conquered. cacofonà ­a Refers to the use of words with sharp, harsh, hissing and unmelodious sounds primarily those of consonants to achieve desired results. Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves,an And the mome raths outgrabe. epà ­teto An adjective or phrase expressing a quality or attribute regarded as characteristic of the person or thing mentioned. Sailing across the wine-dark sea to men. metonimia A figure of speech in which a thing or concept is called not by its own name but rather by the name of something associated in meaning with that thing or concept Friends, Romans, countrymen, lend me your ears. paradoja A paradox is a statement that apparently contradicts itself and yet might be true. I must be cruel to be kind. polisà ­ndeton he use of several conjunctions in close succession, especially where some could otherwise be omitted He ran and jumped and laughed for joy. sinà ©cdoque a figure of speech in which a term for a part of something refers to the whole of something, or vice versa. She organized her life around the little yellow ball. (tennis ball) sinestesia technique adopted by writers to present ideas, characters or places in such a manner that they appeal to more than one senses like hearing, seeing, smell etc. at a given time. The word would fill her mind for a few minutes with a single color: not an unpleasant sensation but still an intrusion Patriarch: Brown, she thought, a temple of a word, a shiny red brown, like the surface of a chestnut. retruà ©cano A pun. The two pianists had a good marriage. They always were in a chord.

Elizabethan Theater Essay Example

Elizabethan Theater Essay Example Elizabethan Theater Paper Elizabethan Theater Paper The Elizabethan Theater opened up the world of writing with great writers like William Shakespeare and gave them a better chance in the world by giving them high class jobs, while still letting everyone, upper or lower class, come and enjoy the play. During this time period, there were two types of theatrical performances that were available for the peoples viewing, comedies or tragedies. These two genres w ere never really intertwined until the time of William Shakespeare. They were often called Tara comedies which, Usually have improbable and complex plots; characters of high social class; c entrants between villainy and virtue; love of different kinds at their centre; a hero who is saved a t the last minute after a touching go experience; surprises and treachery. (No Sweat Shapes rare) The Merchant of Venice can be seen as a tragicomedy. It has a comic structure but one of the central characters, Shylock, looks very much like a tragic character. The play has a co med ending with the lovers pairing off but we are left with taste in the mouth of the ordeal of S hollyhock, destroyed by a combination of his own faults and the persecution of the lovers who ere y that happy ending. The feeling at the end of the play is neither joy nor misery. The plan) as a decidedly comic structure but there is also a powerful tragic story. It can therefore be Lied a Sweat Shakespeare) It opened the world of literature to whole new genre. It was also during Shakespearean time that writers were finally acknowledge by the people. Before this time, writers were not considered upperclassmen. Shasta pear was not the only famous playwright. Christopher Marlowe, Thomas Decker, John Fletcher and Francis Beaumont. Had Marlowe not been stabbed in a tavern brawl, says Anthony urges, he might have rivaled Shakespeare himself for his poetic gifts. (Wisped) Writers v re given a bigger chance in the world which gave more opportunities for them to expo. S themselves through writing. Actors were another group of people rising into a higher social because of theater. As expressed by Shakespeare Globe, The life of an actor changed aromatically during Shakespearean lifetime. At first actors toured in companies, traveling the cool try to perform in towns and cities and in private homes. By the time Shakespeare died, London( had several armament theatres where the actors performed, drawing in huge audience (Shakespearean Globe) Actresses were not present in plays at this time because women we not allowed on stage. It was considered unladylike to be a female actor. Men played all the arts. The theater finally got the recognition it deserved. The theaters that the plays were performed in were open to the public hi( encouraged all people to come and watch. The theaters the plays were performed in we great for people who sat in the back because the stage was lit well. The theaters that actors reformed in were flosses so that the sun could be used as lighting. Theatrical shows were he in the afternoon because it provided the best amount of light for the show. (Play Shakeups e) When the people gathered into the theater, the different classes Of people were separate De by where they could afford to sit and watch the show. The lower clansmen were situated on t he bare earth where it was dirty and smelly because it was never cleaned. The owners of the theta errs found it less expensive if they did not keep high maintenance of their establishments. High ere clansmen sat ender a roof and for a penny more, they could buy cushions for their seats. T here was tons of space too, By 1600 London theatres, like the Globe, could take up to 3000 pee people for the most popular plays (Shakespearean Globe) Everyone could see the plays from the peasants, knob less, to even king and queens if they wished. A time when the foundation of the entertainment industry built, Elizabethan t heater progressed from the Elizabethan Era. Writers and actors both rose into higher society. Writers Were acknowledged for their works and actors for their ability to entertain.